FABRITIUS, Carel

Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure


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FABRITIUS, Carel View of the City of Delft dfg oil


View of the City of Delft dfg
Painting ID::  6632
View of the City of Delft dfg
1652 Oil on canvas, 15,4 x 31,6 cm National Gallery, London
   
   
     

FABRITIUS, Carel The Goldfinch (mk08) oil


The Goldfinch (mk08)
Painting ID::  21791
The Goldfinch (mk08)
1654 Oil on panel. 33.5x22.8cm The Hague,Mauritshuis
1654 Oil_on_panel. 33.5x22.8cm The_Hague,Mauritshuis
   
   
     

FABRITIUS, Carel The Goldfinch oil


The Goldfinch
Painting ID::  33724
The Goldfinch
mk86 1654 Oil on panel 33.5x22.8cm The Hague,Mauritshuis
   
   
     

FABRITIUS, Carel Hagar and the Angel oil


Hagar and the Angel
Painting ID::  74306
Hagar and the Angel
Date ca. 1643-1645 Medium Oil on canvas Dimensions 157.5 X 136 cm (62.01 X 53.54 in) cyf
   
   
     

FABRITIUS, Carel Young Girl Plucking a Duck oil


Young Girl Plucking a Duck
Painting ID::  82859
Young Girl Plucking a Duck
Oil on canvas Dimensions 84,1 x 70 cm cyf
Oil_on_canvas _ Dimensions_84,1_x_70_cm _ cyf
   
   
     

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     FABRITIUS, Carel
     Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure

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